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NY1
NY1 Television Interviews James Ronald Whitney, Director of "Telling Nicholas"

NY1 INTERVIEW


Guest: James Ronald Whitney

Newscaster:
One of the of the documentaries screening at the Tribeca Film Festival is Titled Telling Nicholas it can also be see on Sunday, May 12 at 10:00 pm on HBO's America Undercover Sundays. With a preview for us tonight we welcome filmmaker James Ronald Whitney to the show. Nice to have you here.

Whitney:
Thank you for having me.

Newscaster:
Umm this is not necessarily uh...an easy subject to address. Tell us about the filmand let's start withumI know there are two stories. Let's start with the story on Staten Island--the Lanza family.

Whitney:
Well Nicholas is 7 years old and his mother was killed in the attack and the movie chronicles the 10 days following the attack. 10 days because it took that number of days for Nicholas' father to finally tell his son that his mommy is dead. And so the film deals with the struggles that happen not only with Nicholas' dad but with his grandparents with his aunts--the whole family was in a crisis situation. Also they were expecting Michelle to walk in the door at any moment, and they held out hope till the bitter end. Until Nicholas was finally told and then they realized they couldn't hold out for some miracle and say Mommy may make it after all, and that she may actually be in some pocket of the World Trade Center that had collapsed. They knew that they couldn't have a conflicting story with him. At that moment Nicholas' grandmother faints and finally there is resolve.

Newscaster:
Where did the idea come to you to shoot this movie?

Whitney:
Well I live a few blocks North of where the World Trade Center once stood. And I have a loft on the top floor with three skylights and the first plane flew very low and very loudly right over the skylight, and then crashed into one of the towers. Then I went up to the roof and watched the second plane hit Tower Two and had the camera set up and began filming. At that point people started jumping out of the towers. I screamed sounds that had never come out of my mouth before, and stopped counting bodies after about two dozen. The I watched and filmed the first tower collapse then the second tower, and then I ran down the fire escape stairway because there was no electricity or anything and when I got about 20 feet from the building that debris cloud that you've seen so many times pushed me down the street it was about 50 feet behind me, so I literally ran for my life at that point. And all during that time I was just chronicling on camera everything that seemed shocking to me or confusing or horrifying and finally that led me to these missing posters and ultimately to one specific missing flyer--this mother and her child. I'd seen a lot of fathers with their children but this one stood out because it was a mom and there was just something about the face on this little boy. Also, I had worked with a number of children's advocacy centers and decided to start calling some people just to give them hotlines that had been set up in the past for things like child abuse-organizations like Child Help USA, www.childtrauma.org--and after speaking with Nicholas' aunt they invited me out to Tottenville. I'd never even been to Staten Island.

Newscaster:
Now it's a wonderful place Tottenville.

Whitney:
Yeah

Newscaster:
I live not too far from there So so uhh uhh Ron you go out there and do you approach them?How does this idea I mean this is not something that's very natural. I'm sure viewers at home are wondering why would a family let a stranger film them during a sensitive time? Who approached who exactly and whose idea was it? It doesn't seem very natural but obviously they were willing to do it.

Whitney:
Some of them had seen a film I had done on HBO called "Just, Melvin" which dealt with the child molestation in my family, where my grandfather molested pretty much all of my aunts and cousins even my mom. And because of that they knew that I was sensitive to issues surrounding children and when I told them that I was interested in learning how Nicholas' dad was going to deliver this news--because I didn't think there was a model for that--they seemed somewhat receptive to the idea of having something like that chronicled. But it was very confusing . Nicholas' dad brought in a pastor to try to help him deal with the news so initially I was going to be there just filming this pastor's conversation with the family and kind of see what was going to evolve. By the way, the cameras at that point were academic. The family was still expecting their daughter to walk in. So ultimately that night which was day three, Nicholas wasn't told, and then the family decided to wait until the timing just felt right, which was dictated by the father who again waited until the tenth day because of his own struggles. He had this horrible burden of having to say the words " Mommy is dead." to his little boy who was actually at that time convinced that his mom was simply missing in New Jersey--that she had taken a cab, and was lost. And that she was just sort of wandering around out there.

Newscaster:
We have a clip tell our viewers. What can we expect to see.

Whitney:
I believe this clip is when Nicholas' dad is actually trying to obtain a DNA sample. Nobody knew how to deal with this crisis at all. We didn't know if more bombs were coming, we didn't know if anthrax was going to infect all of us-we didn't even know how to deal with this DNA samplingwhether identification was effective through hair follicles left in hair brushes, or if saliva samples were more necessary So in this clip, you see Nicholas' dad taking out the swab and swabbing his little boys mouth in order to help identify Michelle should they find her.

Newscaster:
OK lets take a look at a scene from the movie, "Telling Nicholas "

[CLIP FROM THE MOVIE, "TELLING NICHOLAS"]

Newscaster:
That from the film "Telling Nicholas." Was there anything you didn't put in the film that was a bit too painful or will we see everything that transpired?

Newscaster:
I did not sugar coat this in any way, shape or form, and my hat really goes off to HBO for that. Shelia Nevins, who is the programmer for this kind of reality movie, allows her filmmakers to tell their stories in an uncensored, unedited way. Had this gone to network it would have been an entirely different movie. Because I saw people jumping out of the World Trade Center, in this film you will actually see a person jumping out--and it's at very close range because I was just a stones throw from the towers. And one thing I'm happy about is that unlike the CBS World Trade Center Movie that Jules Naudet did, I didn't censor any of my footage--I didn't edit anything out. And one of the most painful things to watch in this movie is the moment when Nicholas' father actually utters those three most horrifying words to his son, "Mommy is dead." And again, unlike HBO, I think that would have been too much for the networks to handle. Also, it helped that this story is uninterrupted because with home box office, there are no commercials. I applaud Sheila Nevins incredibly for the liberty she allows her filmmakers to have when it comes to dealing with reality in the most hard-hitting way.

Newscaster:
There is another screening tomorrow at the festival is that correct?

Whitney:
Tomorrow at 11:30 at the Tribeca Grand Screening Room. And then the film actually has its broadcast premier on Mother's Day--this Sunday, following Six Feet Under at 10 PM eastern standard time on HBO, which is appropriate, because the final words in the film are actually delivered by Nicholas when he says, "I love you mom." And as tragic as this story is in many ways after you hear this little boy say those words, and everything goes to black, you realize that Michelle was a very alive person when she was with us, and it's apparent that even in her absence--in her death--she is going to affect so many people. I think Nicholas will be proud when he is older and actually sees this film. Proud of the impact his mom had on so many who have already seen this let alone when the actual broadcast occurs this Mother's Day.

Newscaster:James Ronald Whitney Writer, director, producer of "Telling Nicholas." Thank you for your time tonight.

Whitney:
Thank you for having me, John.


DIRECTOR'S FILMS: GAMES PEOPLE PLAY: New York, GAMES PEOPLE PLAY: Hollywood, Telling Nicholas, Just, Melvin, TheWorkingGirl.com
Find out more about James Ronald Whitney's Productions at the Fire Island Films website
: www.FIFproductions.com
Comments or questions about the Web site contact the Web Master at www.SolutionsWebDesign.net

© 2003 James Ronald Whitney